{"id":23005,"date":"2022-04-06T03:04:40","date_gmt":"2022-04-06T08:04:40","guid":{"rendered":"https:\/\/luchonoticias.com\/?p=23005"},"modified":"2022-04-06T03:04:42","modified_gmt":"2022-04-06T08:04:42","slug":"los-retos-del-festival","status":"publish","type":"post","link":"https:\/\/luchonoticias.com\/editor\/los-retos-del-festival\/","title":{"rendered":"Los retos del festival"},"content":{"rendered":"\n

Por: Jairo Herrera Cardoso – Folclorista y Escritor<\/p>\n\n\n\n

Nuestro departamento con cuerpo de guitarra lentamente se est\u00e1 quedando sin legado hist\u00f3rico, cultural, investigativo, folcl\u00f3rico y econ\u00f3mico gracias a la aculturizacion y transculturizaci\u00f3n que haciendo gala del modernismo est\u00e1n extinguiendo nuestras tradiciones, la memoria hist\u00f3rica la quieren desconocer, recordemos que somos patrimonio cultural de la naci\u00f3n seg\u00fan la ley 1026 de 2006.<\/p>\n\n\n\n

 Los Huilenses somos creativos, emprendedores, productivos, saludables, amables y hospitalarios. Defendamos colectivamente, lo que a\u00fan permanece, para seguir so\u00f1ando con un festival que va rumbo asiatizarse, europeizarse y vallenatizarse, llanerizarse, porque el paloparao, el sanjuanero y bambuco tiende a baletizarse con la modernidad.<\/p>\n\n\n\n

Estos son algunos de los retos que debemos asumir:<\/p>\n\n\n\n

  1. Un Sanpedro que debe inundar el mercado con los mitos y leyendas con ponchos, robo e gallos, ruanas, llaveros, sombreros, alpargatas, toallas, camisetas; pero da tristeza ver todo lo anterior con las im\u00e1genes de caricaturas extranjeras.<\/li>
  2. A la entrada de nuestro departamento debe existir el Monumento con el \u201csanjuanerito\u201d, claro que se puede, en el municipio del Espinal departamento del Tolima, est\u00e1 el Monumento a la Tambora.<\/li>
  3. Una obra art\u00edstica a la Cucamba<\/strong> (esterilla, cien pies, marrana, tambor, chucho, car\u00e1ngano), es decir, todos los instrumentos con que se ejecutan las tonadas del rajale\u00f1a y una EFIGIE de Rumichaca.<\/li>
  4. Verdaderos desfiles populares, departamentales, folcl\u00f3ricos y nacionales, con carrozas m\u00f3viles alusivas a la Huilensidad y no\u2026\u201d lo mismo que antes\u201d.<\/li>
  5. Activar las escuelas de formaci\u00f3n art\u00edstica, investigativa y folcl\u00f3rica del rajale\u00f1a, sanjuanero y bambuco tradicional.<\/li>
  6. Revistas especializadas, que publiquen semanalmente separatas sobre la historia de nuestros municipios, barrios, cantautores, poetas, periodista, dramaturgos, folcloristas, artesanos, personajes del festival y del Departamento.<\/li>
  7. El apoyo decidido de los medios de comunicaci\u00f3n con el folclor huilense, nuestra m\u00fasica, compositores y talentos, para construir identidad.<\/li>
  8. El archivo hist\u00f3rico, cultural, musical, coreogr\u00e1fico, organol\u00f3gico y gastron\u00f3mico de nuestra tierra de promisi\u00f3n.<\/li>
  9. La historia viva del rajale\u00f1a y sus distintas tonadas (Aipe, Fortalecillas, Teruel, Campoalegre; la Plata).<\/li>
  10. Conciertos, serenatas, encuentros de solistas, duetos, tr\u00edos, cuartetos, tiple, bandola, requintos y chirim\u00edas. Al igual que el concurso de la copla repentista. Se debe construir el templo musical.<\/li>
  11. Apoyar los grupos musicales, las bandas municipales, la sinf\u00f3nica juvenil, infantil y de adultos con la representaci\u00f3n de nuestros mejores m\u00fasicos de cada uno de los municipios. <\/li>
  12.  El sanjuanerodromo, bambucodromo, la calle del pasillo, la guabina y el paloparao y no siempre la calle del festival, \u00bfla calle de qui\u00e9n? <\/li>
  13. Una ruta tur\u00edstica y folcl\u00f3rica con lo m\u00e1s significativo del Huila, su gente, costumbres y folclor, con una feria gastronomita con platos t\u00edpicos de la regi\u00f3n. <\/li>
  14. Apoyar la producci\u00f3n investigativa, coreogr\u00e1fica, teatral, m\u00fasica y rescatar los cuenteros al igual que la comparsa barrial, creando nuevas planimetr\u00edas e innovaciones coreogr\u00e1ficas representativas a la molienda de la ca\u00f1a, cultivo del arroz, el nacimiento de las chapolas del caf\u00e9, la cultura agustiniana, el origen de los instrumentos musicales y el nacimiento de nuevas agrupaciones danc\u00edsticas que rescaten el aut\u00e9ntico folclor.<\/li>
  15. Estimular y apoyar econ\u00f3micamente las artesan\u00edas, empresas, la investigaci\u00f3n cultural y educativa de nuestro Departamento.<\/li><\/ol>\n","protected":false},"excerpt":{"rendered":"

    Por: Jairo Herrera Cardoso – Folclorista y Escritor Nuestro departamento con cuerpo de guitarra lentamente se est\u00e1 quedando sin legado hist\u00f3rico, cultural, investigativo, folcl\u00f3rico y econ\u00f3mico gracias a la aculturizacion y transculturizaci\u00f3n que haciendo gala del modernismo est\u00e1n extinguiendo nuestras tradiciones, la memoria hist\u00f3rica la quieren desconocer, recordemos que somos patrimonio cultural de la naci\u00f3n […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1,2454],"tags":[],"class_list":["post-23005","post","type-post","status-publish","format-standard","hentry","category-columnistas","category-opinion"],"yoast_head":"\nLos retos del festival -<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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